Past Productions
CYMBELINE
Presented by Theatre for a New Audience, Jeffrey Horowitz, Artistic Director
Scott Morfee, Jean Doumanian, Tom Wirtshafter
Somerled Charitable Trust, Christian Chadd Taylor, Burnt Umber Productions, Marc & Lisa Biales/Ted Snowdon

Fiasco Theater’s Cymbeline
By William Shakespeare
Performance: September 8, 2011 - January 15, 2012
Directed by Noah Brody and Ben Steinfeld
Featuring: Jessie Austrian, Noah Brody, Paul L. Coffey, Andy Grotelueschen, Ben Steinfeld, Emily Young
Set Design: Jean-Guy Lecat
Costume Design: Whitney Locher
Light Design: Tim Cryan
Fabulous Trunk: Jacques Roy
Prop Design: Caite Hevner
Fight Director: Noah Brody
Music Director: Ben Steinfeld
Vocal Coach: Cicely Berry
Fight Consultant: J. Allen Suddeth
Casting Director: Deborah Brown Casting
Production Stage Manager: Christina Lowe
Assistant Stage Manager: Miriam Hyfler
Understudies: Ellen Adair & Patrick Mulryan
Production Supervisor: Production Core
Production Manager: Joshua Scherr
Assistant Set Designer: Pierre LeBon
Assistant Light Designer: Lucrecia Briceno
Technical Director: Kurtis Rivers
Master Electrician: John Anselmo
Assistant Director: Michael Perlman
Press Representative: The Bruce Cohen Group, LTD.
General Management: Michael Page & Amy Dalba
General Manager, Theatre for a New Audience: Theresa Von Klug
Artwork: Frank “Fraver” Verlizzo
Graphic Design: Patrick Flood
Advertising: Ann Murphy
Marketing: Hudson Media Services, LLC
Marketing Intern: Danya Taymor
Press & Reviews
New York Times feature on Fiasco Theater: “Six Actors No Longer In Search of a Play” by Alexis Soloski (08/31/2011)
CLICK HERE
Wall Street Journal feature on Cicely Berry: “A Matter of Voice” by Joanne Kaufman (08/31/2011)
CLICK HERE
NY1 On Stage Review by Time Out New York’s David Cote
CLICK HERE
CRITIC’S PICK! “THE MOST TRULY ENCHANTING CYMBELINE I’VE SEEN. EXQUISITE.”
-Ben Brantley, New York Times
CLICK HERE FOR THE FULL REVIEW
“The Fiasco Company brings joyful music, playful inventiveness and just an air-kiss of irony to Shakespeare’s mock-epic. The remind us what theater, at its simplest and most powerful, is really for: the alchemical thrill of watching an entire work conjured into being out of sheer wit and will. A small masterpiece.”
— Scott Brown, New York Magazine
“A playful and inspired work of art.”
— The New Yorker
“Fiasco’s rollicking trunk show is full of life and movement and humor and bluegrass."
— Entertainment Weekly
CRITIC’S PICK! “Hilarious!”
— Time Out New York
“Fresh, frisky, jammed with playful theatricality and music to match. Besides being talented actors, they’re terrific musicians!”
— NY Daily News
“Fiasco Theater’s charming production makes crystal-clear the endlessly convoluted plot developments of the Bard’s late-period romance. They youthful performers have a winning playfulness.”
— Frank Scheck, New York Post
“Sincere with the dialogue and merry of heart, a young ensemble of actors adeptly and joyously handles acting, playing musical instruments and singing harmoniously. A genuinely lighthearted, playful production.”
— Associated Press
“A marvelously acted, highly imaginative triumph – one of the three best Shakespeare’s that I’ve seen in decades in New York.”
— National Review
“A frolicsome form of poor theater on an bare stage, Fiasco Theater gleefully undertake poisoning, beheading, cross-dressing and betrayal. The excitement is infectious!”
— Alexis Soloski, The Village Voice
Cymbeline in Song from Soundcheck on WNYC
Please visit the website for Theatre for a New Audience tfana.org
