TRIBES
March 4, 2012 - January 20, 2013
"Extraordinary!"
– The New Yorker
ABOUT THE SHOW
Presented by Scott Morfee, Jean Doumanian, Tom Wirtshafter
Patrick Daly, 2Manocherians, Christian Chadd Taylor, Burnt Umber Productions,
Marc & Lisa Biales, Roger E. Kass
A New Play by Nina Raine
Directed by David Cromer
Featuring
Susannah Flood, Russell Harvard, Lee Roy Rogers, Jeff Still, Dina Thomas, and Nick Westrate
WINNER! 2012 Drama Desk Award for Outstanding Play!
WINNER! 2012 New York Theatre Critics Circle Award!
WINNER! 2012 Off-Broadway Alliance Award – Best Play!
-plus-
6 Lucille Lortel Award Nominations
4 Outer Critic Circle Nominations
2 Drama League Award Nominations
Scenic Design:
Scott Pask
Costume Design:
Tristan Raines
Lighting Design:
Keith Parham
Projection Design:
Jeff Sugg
Sound Design:
Daniel Kluger
Prop Design & Coordination:
Kathy Fabian/Propstar
Hair & Make-Up Design:
Leah J. Loukas
Production Stage Manager:
Richard A. Hodge
Dialect Coach:
Stephen Gabis
Casting:
Pat McCorkle Casting
General Management:
Amy Dalba & Michael Page
Production Management:
Production Core
Technical Director:
Pete Fry
Advertising:
aka
Press Representative:
O&M Co.
Understudy for Billy/Daniel:
Thomas DellaMonica
Scott Pask
Costume Design:
Tristan Raines
Lighting Design:
Keith Parham
Projection Design:
Jeff Sugg
Sound Design:
Daniel Kluger
Prop Design & Coordination:
Kathy Fabian/Propstar
Hair & Make-Up Design:
Leah J. Loukas
Production Stage Manager:
Richard A. Hodge
Dialect Coach:
Stephen Gabis
Casting:
Pat McCorkle Casting
General Management:
Amy Dalba & Michael Page
Production Management:
Production Core
Technical Director:
Pete Fry
Advertising:
aka
Press Representative:
O&M Co.
Understudy for Billy/Daniel:
Thomas DellaMonica
Understudy for Christopher:
Stephen Schnetzer
Understudy for Ruth/Sylvia:
Meghan Mae O’Neill
Assistant Stage Manager:
Rosy Garner
Assistant Scenic Designer:
John Zuiker
Assistant Costume Designer:
Caitlin Conci
Assistant Light Designer:
Ryan Metzler
Assistant Projection Designer:
Patrick Southern
Assistant Sound Designer:
Nathan Wheeler
Assistant Production Manager:
Maggie Davis
Assistant Technical Director:
Sergio Murania
Production Assistant:
Xander Duffy
Assistant Director:
Seth Sikes
ASL Interpreter:
Candace Broecker-Penn
ASL Consultant:
Alexandria Wailes
Piano Coach:
Daniel Kluger
Stephen Schnetzer
Understudy for Ruth/Sylvia:
Meghan Mae O’Neill
Assistant Stage Manager:
Rosy Garner
Assistant Scenic Designer:
John Zuiker
Assistant Costume Designer:
Caitlin Conci
Assistant Light Designer:
Ryan Metzler
Assistant Projection Designer:
Patrick Southern
Assistant Sound Designer:
Nathan Wheeler
Assistant Production Manager:
Maggie Davis
Assistant Technical Director:
Sergio Murania
Production Assistant:
Xander Duffy
Assistant Director:
Seth Sikes
ASL Interpreter:
Candace Broecker-Penn
ASL Consultant:
Alexandria Wailes
Piano Coach:
Daniel Kluger
Master Electrician:
The Lighting Syndicate
Mainstage Programmer:
Bill Growney
Audio Head:
Colin Whitely
Scenic Charge:
Jacquelyn Marlot
Running Crew:
Matt Allamon
Projections/Sound Board Operator:
Josh Kohler
Wardrobe Supervisor:
Ricola Willie
Artwork:
Fraver
Production Photographer:
Gregory Costanzo
Ticketing:
Smarttix Entertainment Services
Program Printing:
Luminar Solutions
Scenery provided by John Creech Design and Production Props provided by Propstar
Video equipment provided by PRG Video Sound equipment provided by PRG Audio
Lighting gear provided by Hayden Production Services
The Lighting Syndicate
Mainstage Programmer:
Bill Growney
Audio Head:
Colin Whitely
Scenic Charge:
Jacquelyn Marlot
Running Crew:
Matt Allamon
Projections/Sound Board Operator:
Josh Kohler
Wardrobe Supervisor:
Ricola Willie
Artwork:
Fraver
Production Photographer:
Gregory Costanzo
Ticketing:
Smarttix Entertainment Services
Program Printing:
Luminar Solutions
Scenery provided by John Creech Design and Production Props provided by Propstar
Video equipment provided by PRG Video Sound equipment provided by PRG Audio
Lighting gear provided by Hayden Production Services
PRESS
“CRITIC’S PICK! A smart, lively, and beautifully acted new play that asks us to hear how we hear, in silence as well as in speech…I’ve rarely encountered a cast that finds as many far-reaching shades of meaning in tones of voice as this one does. Every member of the ensemble is spot-on.”
- The New York Times
- The New York Times
“CRITIC’S PICK! There are moments in this play that I don’t think I will ever forget—scenes that tap the beauty that can live and resound in silence.”
- Time Out
- Time Out